{"title":"Vintage Technology Prints","description":"\u003cp\u003eVintage technology prints celebrating the machines that changed everything. Our Gizmo series features detailed illustrations of iconic synthesisers, computers, cameras, and consoles - from the Moog Minimoog and Roland TR-808 to the BBC Micro and Sony PlayStation.\u003c\/p\u003e\n\u003cp\u003eEach piece is drawn by Simon Tyler, author of the forthcoming book Gizmo (Laurence King, 2026), and captures the design and character of these landmark devices with care and accuracy. Produced on 250gsm archival matte paper. \u003c\/p\u003e\n\u003cp\u003eFor musicians, collectors, designers, and anyone with a soft spot for the technology that shaped modern culture.\u003c\/p\u003e","products":[{"product_id":"moog-minimoog-model-d-gizmo","title":"Moog Minimoog Model D","description":"\u003cp\u003eThe Moog Minimoog Model D defined what a synthesizer could be. When it launched in 1970, it was the first synthesizer designed as a self-contained instrument rather than a modular studio installation. Its fat, warm sound became the reference point for every synth that followed - from prog rock to funk, from film scores to hip-hop, the Minimoog's influence is immeasurable.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the Minimoog's timeless design - the tilted control panel, the three oscillators, the classic wood cabinet that made it as beautiful to look at as it was to play. It's the instrument that put synthesis on stage and in studios worldwide.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864090206369,"sku":"AXS-GIZ-MOOGD-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864090239137,"sku":"AXS-GIZ-MOOGD-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-MoogMinimoog-mockup-1-2800px.jpg?v=1763575277"},{"product_id":"roland-tr-808-gizmo","title":"Roland TR-808","description":"\u003cp\u003eThe Roland TR-808 is perhaps the most influential instrument of the last fifty years. Released in 1980 and discontinued by 1983, it was intended as an affordable alternative to real drums - but its booming bass drum, snappy snare, and cowbell became the foundation of hip-hop, electro, and countless pop hits. From \"Planet Rock\" to \"Sexual Healing,\" from Kanye West to Phil Collins, the 808 is everywhere.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the 808's iconic design - the coloured buttons, the distinctive form factor, the interface that launched a thousand drum patterns. It's a machine whose sounds are now more recognisable than the acoustic drums it was meant to replace.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864090140833,"sku":"AXS-GIZ-RO808-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864090173601,"sku":"AXS-GIZ-RO808-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Roland-808-mockup-1-2800px.jpg?v=1763575531"},{"product_id":"roland-tr-909-gizmo","title":"Roland TR-909","description":"\u003cp\u003eThe Roland TR-909 is the heartbeat of house and techno. Released in 1983 and discontinued after just 10,000 units, it was considered a commercial failure - until Chicago and Detroit producers discovered its punchy kick, crisp hi-hats, and that distinctive clap could drive a dancefloor like nothing else. From Frankie Knuckles to Jeff Mills, the 909 defined the sound of electronic dance music.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the 909's distinctive interface - the step sequencer, the individual drum controls, the design language Roland perfected across their legendary rhythm machines. It's a machine that changed how the world dances.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864090075297,"sku":"AXS-GIZ-RO909-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864090108065,"sku":"AXS-GIZ-RO909-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Roland-909-mockup-1-2800px.jpg?v=1763575637"},{"product_id":"roland-sh-101-gizmo","title":"Roland SH-101","description":"\u003cp\u003eThe Roland SH-101 was a synthesizer you could wear. Released in 1982 with an optional shoulder strap and grip, it was designed for the stage - but it found its true calling in studios worldwide. Simple, immediate, and with a bass sound that could shake foundations, it became essential to acid house, techno, and electronic music production.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the SH-101 in its classic grey form - the distinctive bender\/mod grip, the clean single-oscillator layout, the arpeggiator and sequencer that made it far more than just another monosynth. It's a machine that proved limitations could be liberating.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864090009761,"sku":"AXS-GIZ-RO101-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864090042529,"sku":"AXS-GIZ-RO101-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Roland-SH101-mockup-1-2800px.jpg?v=1763575742"},{"product_id":"sequential-prophet-5-gizmo","title":"Sequential Prophet-5","description":"\u003cp\u003eThe Sequential Prophet-5 invented the modern synthesizer. When it appeared in 1978, it was the first fully programmable polyphonic synth - five voices, 40 memory patches, and a sound so rich and immediate that it became the benchmark against which all others were measured. From Peter Gabriel to Talking Heads, from Kraftwerk to Radiohead, the Prophet-5's influence spans every corner of electronic music.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the Prophet-5's iconic design - the wood end panels, the clean panel layout, the understated elegance that matched its extraordinary capabilities. It's a machine that changed what synthesizers could be.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089944225,"sku":"AXS-GIZ-SQPR5-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089976993,"sku":"AXS-GIZ-SQPR5-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sequential-Prophet-mockup-1-2800px.jpg?v=1763575878"},{"product_id":"arp-odyssey-gizmo","title":"ARP Odyssey","description":"\u003cp\u003eThe ARP Odyssey brought professional synthesis to working musicians. Launched in 1972 as a more affordable alternative to the Minimoog, it carved out its own identity - a raw, aggressive sound that became essential to artists from Herbie Hancock to Ultravox, from ABBA to Nine Inch Nails.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the Odyssey Mk1's striking design - the white and gold colour scheme, the distinctive slider-based interface, the proportional pitch bend that let players add expression no other synth could match. It's a machine that proved you didn't need to spend a fortune to make sounds that would define decades of music.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089878689,"sku":"AXS-GIZ-ARPOD-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089911457,"sku":"AXS-GIZ-ARPOD-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-ARP-Odyssey-mockup-1-2800px.jpg?v=1763575984"},{"product_id":"acorn-bbc-micro-model-b-gizmo","title":"Acorn BBC Micro Model B","description":"\u003cp\u003eThe BBC Micro Model B taught a generation to code. Launched in 1981 as part of the BBC's Computer Literacy Project, it appeared in nearly every school in Britain - and in countless bedrooms where children discovered they could make computers do what they wanted. It was powerful, expandable, and came with a programming language built in.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the BBC Micro's distinctive design - the wedge-shaped case in beige and black, the red function keys, the satisfying mechanical keyboard. For millions of British programmers, game developers, and technologists, this was where it all started.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089813153,"sku":"AXS-GIZ-BBCB-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089845921,"sku":"AXS-GIZ-BBCB-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-BBCB-mockup-1-2800px.jpg?v=1763576110"},{"product_id":"canon-xl1-gizmo","title":"Canon XL1","description":"\u003cp\u003eThe Canon XL1 put cinema in the hands of anyone with a story to tell. When it launched in 1997, professional video production meant six-figure budgets and broadcast crews. The XL1 changed everything - a digital camcorder with interchangeable lenses, manual controls, and image quality good enough for theatrical release.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the XL1's distinctive silhouette - the modular body, the detachable lens system, the design that said \"professional tool\" rather than \"home video camera.\" It helped launch the careers of countless independent filmmakers and fundamentally changed what was possible on a budget.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089682081,"sku":"AXS-GIZ-CANXL1-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089714849,"sku":"AXS-GIZ-CANXL1-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Canon-XL1-mockup-1-2800px.jpg?v=1763576211"},{"product_id":"jvc-rc-550-el-diablo-gizmo","title":"JVC RC-550 El Diablo","description":"\u003cp\u003eThe JVC RC-550 earned its nickname \"El Diablo\" on the streets of New York. Released in 1977, it was one of the first truly massive boomboxes - a portable sound system powerful enough to anchor a block party, distinctive enough to become a status symbol. It arrived just as hip-hop was being born in the Bronx, and the two grew up together.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the RC-550's imposing presence - the twin speakers, the array of silver knobs and sliders, the sheer physicality of a machine built to move air. It's a monument to an era when music was something you carried with you and shared with everyone in earshot.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089616545,"sku":"AXS-GIZ-JVC550-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089649313,"sku":"AXS-GIZ-JVC550-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-JVC550-mockup-1-2800px.jpg?v=1763576497"},{"product_id":"olympus-om-series-om-1-gizmo","title":"Olympus OM Series OM-1","description":"\u003cp\u003eThe Olympus OM-1 rewrote the rules of 35mm photography. When it launched in 1972, SLR cameras were bulky, heavy things - the OM-1 was 35% smaller and 40% lighter than its competitors, yet sacrificed nothing in capability. It proved that professional-grade photography could fit in your hands, not just on your shoulder.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the OM-1's elegant compactness - the clean lines, the distinctive pentaprism housing, the perfectly weighted controls that made it a favourite of photojournalists and street photographers for decades. It's a camera that proved smaller could mean better.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089551009,"sku":"AXS-GIZ-OM1-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089583777,"sku":"AXS-GIZ-OM1-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-OlympusOM1-mockup-1-2800px.jpg?v=1763576598"},{"product_id":"dec-pdp-8-gizmo","title":"DEC PDP-8","description":"\u003cp\u003eThe DEC PDP-8 made computing personal before personal computers existed. Launched in 1965, it was the first mass-produced minicomputer - small enough to fit on a desk, cheap enough for universities and labs to actually afford one. It sold over 50,000 units and kickstarted Digital Equipment Corporation's rise to become the second-largest computer company in the world.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the PDP-8's distinctive front panel - that grid of switches and blinking lights that let operators toggle programs directly into memory, one bit at a time. It's a machine from an era when using a computer meant truly understanding what a computer was doing.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089485473,"sku":"AXS-GIZ-PDP8-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089518241,"sku":"AXS-GIZ-PDP8-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-PDP8-mockup-1-2800px.jpg?v=1763576735"},{"product_id":"yamaha-dx7-gizmo","title":"Yamaha DX7","description":"\u003cp\u003eThe Yamaha DX7 changed everything. Released in 1983, it was the first affordable digital synthesizer - and its distinctive FM synthesis sound became the sonic fingerprint of an entire decade. From Whitney Houston to Brian Eno, from Tina Turner to Aphex Twin, the DX7 shaped pop, R\u0026amp;B, ambient, and electronic music in ways still heard today.\u003c\/p\u003e\n\u003cp\u003eThis illustration captures the DX7's iconic form: that unmistakable teal panel, the membrane buttons, the small LCD screen that launched a thousand presets. It's a tribute to the instrument that democratised synthesis and frustrated a generation of musicians with its notoriously complex programming.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089419937,"sku":"AXS-GIZ-YDX7-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089452705,"sku":"AXS-GIZ-YDX7-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Yamaha-DX7-mockup-1-2800px.jpg?v=1763576844"},{"product_id":"braun-fs80-gizmo","title":"Braun FS-80","description":"\u003cp\u003eThe Braun FS 80 television, designed by Dieter Rams in 1964, is industrial design at its most confident. A softened rectangle of screen sits in a pale grey shell, raised on a slender pedestal that lets it swivel to face the room. No clutter, no compromise - just form following function with absolute clarity.\u003c\/p\u003e\n\u003cp\u003eRams was chief design officer at Braun for over forty years, and the FS 80 embodies his philosophy of \"less, but better.\" Every detail serves a purpose; everything unnecessary has been stripped away. The result is a television that looked like the future in 1964 and still looks like the future now.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864089354401,"sku":"AXS-GIZ-BRFS80-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864089387169,"sku":"AXS-GIZ-BRFS80-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Braun-FS80-print.jpg?v=1767880779"},{"product_id":"brionvega-algol-gizmo","title":"Brionvega Algol","description":"\u003cp\u003eThe Brionvega Algol, designed by Marco Zanuso and Richard Sapper in 1964, is Italian design at its most playful. A portable television in bold ABS plastic, its screen tilts upward at an angle - Zanuso compared it to a little dog looking up at its owner. The circular antenna, chrome handle, and ventilation grilles complete a form that's equal parts space age and pop art.\u003c\/p\u003e\n\u003cp\u003eThe Algol came in a range of bright colours and became an icon of 1960s Italian style - now part of MoMA's permanent collection and still in limited production today. It's a reminder of when consumer electronics were designed to delight, not just to function.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864089288865,"sku":"AXS-GIZ-BRIAL-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864089321633,"sku":"AXS-GIZ-BRIAL-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Brionvega-Algol-print.jpg?v=1767881129"},{"product_id":"fujifilm-x100v-gizmo","title":"Fujifilm X100V","description":"\u003cp\u003eThe Fujifilm X100V is proof that great design never goes out of style. Released in 2020 as the fifth generation of a line that began in 2010, it carries forward a design philosophy rooted in the rangefinders of the film era - manual dials for shutter speed, aperture, and exposure compensation, all visible at a glance.\u003c\/p\u003e\n\u003cp\u003eWith its fixed 23mm lens (35mm equivalent) and legendary film simulations, the X100V has become the go-to camera for street photographers who want something compact, beautiful, and serious. It's a camera that rewards craft and intention - a quiet rebellion against the spec-sheet arms race of modern photography.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089223329,"sku":"AXS-GIZ-FFX100V-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089256097,"sku":"AXS-GIZ-FFX100V-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Fujifilm-X100V-print.jpg?v=1767881835"},{"product_id":"ibm-5150-gizmo","title":"IBM 5150","description":"\u003cp\u003eThe IBM 5150 is where it all began. Released on August 12, 1981, it was IBM's first true personal computer - and the machine that defined what a PC would be for the next four decades. Intel processor, Microsoft operating system, open architecture. The template was set.\u003c\/p\u003e\n\u003cp\u003eDeveloped in under a year by Don Estridge's team in Boca Raton, Florida, the 5150 wasn't the most powerful computer of its time, but its openness changed everything. Third-party hardware and software flourished. Clones appeared. \"PC compatible\" became a standard. Within two years, IBM had sold 750,000 units - and the personal computer revolution was underway.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089157793,"sku":"AXS-GIZ-IBM5150-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089190561,"sku":"AXS-GIZ-IBM5150-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-IBM-5150-print.jpg?v=1767882078"},{"product_id":"ibm-selectric-gizmo","title":"IBM Selectric","description":"\u003cp\u003eThe IBM Selectric didn't just change typing - it changed what office equipment could look like. Introduced on July 31, 1961, its gently curved form, designed by Eliot Noyes, drew inspiration from Italian Olivetti typewriters and became an icon of American industrial design. The V\u0026amp;A and Art Institute of Chicago both have one in their permanent collections.\u003c\/p\u003e\n\u003cp\u003eThe engineering was as radical as the aesthetics. Out went the traditional basket of typebars that jammed when you typed too fast. In came the \"golf ball\" - a chrome-plated spherical element carrying 88 characters that rotated, tilted, and struck with mechanical precision. Swap the ball and you changed the font. The carriage stayed still while the mechanism moved across the page. By the mid-1970s, the Selectric commanded 75% of the US electric typewriter market.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089092257,"sku":"AXS-GIZ-IBMSEL-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089125025,"sku":"AXS-GIZ-IBMSEL-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-IBM-Selectric-print.jpg?v=1767882288"},{"product_id":"konica-pop-gizmo","title":"Konica Pop","description":"\u003cp\u003eThe Konica Pop is 1980s design distilled into a camera. Introduced in 1982, it came in a rainbow of colours - red, yellow, green, pink, and more - and sold 1.5 million units before being updated in 1985. The name came from its pop-up flash. Everything else came from the decade's belief that consumer electronics should be fun.\u003c\/p\u003e\n\u003cp\u003eTechnically, it was almost aggressively simple: fixed focus, single shutter speed, manual film advance, and a 36mm f\/4 Hexanon lens. No autofocus, no exposure modes, no complications. Point it at something and press the button. The built-in flash handled low light. A little LED warned you when it wouldn't. That was it.\u003c\/p\u003e\n\u003cp\u003eBut nobody bought a Konica Pop for the specifications. They bought it because it looked like nothing else on the shelf - a bold, confident little machine that made photography feel accessible and joyful. It's the camera equivalent of a Memphis Milano chair.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864089026721,"sku":"AXS-GIZ-KONPOP-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864089059489,"sku":"AXS-GIZ-KONPOP-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Konica-Pop-print.jpg?v=1767883011"},{"product_id":"leica-m11-gizmo","title":"Leica M11","description":"\u003cp\u003eThe Leica M11 is a curious machine - designed in the 21st century, but developed in large part midway through the 20th. When Leica introduced the M3 rangefinder in 1954, they created a way of seeing that photographers have refused to abandon. Nearly seventy years later, the M11 is still recognisably the same camera: manual focus, optical rangefinder, M-mount lenses.\u003c\/p\u003e\n\u003cp\u003eWhat's changed is everything underneath. A 60-megapixel backside-illuminated sensor. Triple resolution technology that lets you choose between 60, 36, or 18 megapixels. 15 stops of dynamic range. An electronic shutter reaching 1\/16000th of a second. And compatibility with almost every M-mount lens ever made - some now approaching their own 70th birthdays.\u003c\/p\u003e\n\u003cp\u003eAt $8,995, the M11 costs more than a complete mirrorless system with autofocus, image stabilisation, and features the Leica deliberately omits. That's rather the point. Some photographers want the camera to disappear; others want to feel every frame they make. The M11 is for the latter.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088928417,"sku":"AXS-GIZ-LEIM11-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088961185,"sku":"AXS-GIZ-LEIM11-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Leica-M11-print.jpg?v=1767883167"},{"product_id":"nintendo-game-watch-super-mario-bros-ym-105-gizmo","title":"Nintendo Game \u0026 Watch Super Mario Bros YM-105","description":"\u003cp\u003eThe story goes that Gunpei Yokoi was riding the Shinkansen when he noticed a bored businessman idly pressing buttons on his calculator. What if, Yokoi wondered, you could play a game on something that small? The Game \u0026amp; Watch series launched in 1980 and sold 43.4 million units over the next eleven years. It was Nintendo's first major worldwide success - and the foundation for everything that followed.\u003c\/p\u003e\n\u003cp\u003eThe Super Mario Bros edition (model YM-105) arrived in 1988, bringing Nintendo's most famous character to the palm of your hand. Like all Game \u0026amp; Watch titles, it offered a single game on a segmented LCD screen, plus a digital clock and alarm. The graphics were pre-printed on the display; the gameplay was simple but addictive. Yokoi called his approach \"lateral thinking with withered technology\" - using cheap, mature components in creative ways. It's a philosophy Nintendo has followed ever since.\u003c\/p\u003e\n\u003cp\u003eThe clamshell D-pad that Yokoi invented for the 1982 Donkey Kong Game \u0026amp; Watch became the standard control interface for video games. The lessons learned here led directly to the Game Boy. In a very real sense, modern handheld gaming started with these little LCD machines.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088830113,"sku":"AXS-GIZ-NINGW-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088862881,"sku":"AXS-GIZ-NINGW-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Nintendo-GameAndWatch-print.jpg?v=1767883402"},{"product_id":"polaroid-sun-660-gizmo","title":"Polaroid Sun 660","description":"\u003cp\u003eThe Polaroid Sun 660 used sonar to focus. Actual sonar - the same principle submarines use to navigate the deep. Press the shutter button and the camera emits ultrasonic sound waves from that distinctive gold transducer disc. The echo bounces back, a tiny electronic computer calculates the distance, and a motor adjusts the lens. All in under a third of a second. In 1981, this felt like science fiction.\u003c\/p\u003e\n\u003cp\u003eFirst introduced as the Autofocus 660 and later renamed the Sun 660, this was the premium model in Polaroid's new 600 series - the system that would make instant photography truly point-and-shoot. Load the film (battery included in every pack), aim at your subject, and press the button. The built-in flash handled the exposure. The sonar handled the focus. Millions of family moments were framed in that familiar square white border.\u003c\/p\u003e\n\u003cp\u003eThe sharp, squared-off styling is pure 1980s industrial design. The construction is unapologetically plastic. And yet this was genuine innovation - the sonar autofocus system has never been replicated by any other manufacturer. It couldn't focus through glass (the sound waves bounced back too soon), but for everything else, it just worked.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864088764577,"sku":"AXS-GIZ-POL660-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864088797345,"sku":"AXS-GIZ-POL660-P-700x1000-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Polaroid-Sun660-print.jpg?v=1767883589"},{"product_id":"roland-tb-303-gizmo","title":"Roland TB-303","description":"\u003cp\u003eThe Roland TB-303 was designed to sound like a bass guitar. It didn't. It was supposed to help guitarists practise without a bassist. They weren't interested. Roland discontinued it in 1984 after selling just 10,000 units. And then something extraordinary happened.\u003c\/p\u003e\n\u003cp\u003eUnwanted 303s piled up in pawn shops and second-hand stores, cheap enough for bedroom producers to take a chance on. In Chicago, a group called Phuture bought one and started twisting the knobs while it played - the filter cutoff, the resonance, the accent. What came out was a squelching, burbling, utterly alien sound that bore no resemblance to any bass guitar ever made. They called the track \"Acid Tracks\". A genre was born.\u003c\/p\u003e\n\u003cp\u003eBy the late 1980s, that distinctive 303 chirp was everywhere - in Chicago warehouses, in UK raves, on dancefloors from Manchester to Ibiza. Josh Wink's \"Higher State of Consciousness\". Hardfloor's \"Acperience\". Daft Punk's \"Da Funk\". Fatboy Slim named a single \"Everybody Needs a 303\". The Guardian called its release one of the 50 key events in the history of dance music. Today, original units sell for over £3,000.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088666273,"sku":"AXS-GIZ-ROL303-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088699041,"sku":"AXS-GIZ-ROL303-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Roland-TB303-print.jpg?v=1767883860"},{"product_id":"sega-mega-drive-gizmo","title":"Sega Mega Drive","description":"\u003cp\u003eIn 1988, Nintendo controlled 95% of the American console market. The gaming industry had become a one-company show. Then Sega released a sleek black machine with \"16-BIT\" embossed in gold across its face, and everything changed.\u003c\/p\u003e\n\u003cp\u003eThe Mega Drive emerged from Sega's arcade division, where their System 16 boards were powering hits like After Burner and Shinobi. Designer Mitsushige Shiraiwa gave the console a deliberately mature aesthetic, inspired by high-end audio equipment rather than children's toys. The gold lettering wasn't subtle - it was a statement. This was twice the machine Nintendo was selling.\u003c\/p\u003e\n\u003cp\u003eLaunched in Japan on 29 October 1988, the Mega Drive struggled against Nintendo's dominance there. But when it crossed the Pacific as the Genesis in 1989, backed by the most aggressive marketing campaign gaming had ever seen, it found its audience. \"Genesis does what Nintendon't.\" By 1991, a blue hedgehog named Sonic had given the console its killer app, and Sega had grown from an $813 million company to a $3.6 billion giant. The first console war had begun, fought in living rooms and playgrounds across the world.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088600737,"sku":"AXS-GIZ-SEGAMD-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088633505,"sku":"AXS-GIZ-SEGAMD-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sega-Megadrive_mockup-1.jpg?v=1767884085"},{"product_id":"sharp-3s-gizmo","title":"Sharp 3S","description":"\u003cp\u003eIn the early 1970s, Japanese consumer electronics companies weren't just building televisions - they were designing objects for living in the future. The Sharp 3S-111R is pure Space Age optimism in plastic and chrome.\u003c\/p\u003e\n\u003cp\u003eMade in Osaka around 1972, this five-inch black and white portable looked like nothing that had come before. A compact cube in vivid orange (or white, depending on variant), it sat on a swivel base that doubled as its power supply. A chrome bar pressed to release a pop-out handle, letting you carry your television from room to room - or run it on batteries for true portability. The screen housing lifted cleanly from its pedestal, all smooth curves and confident futurism.\u003c\/p\u003e\n\u003cp\u003eThe 3S-111R belongs to a brief, brilliant moment when designers imagined consumer electronics as sculpture. It shares DNA with the Weltron 2001, the JVC Videosphere, and the Brionvega Algol - objects that treated technology as something to celebrate, not hide. Half a century later, these Space Age designs remain striking while countless beige boxes have been forgotten. Original units now sell for hundreds at auction, cherished by collectors who recognise something special in that bold orange glow.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864088502433,"sku":"AXS-GIZ-SHP3S-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864088535201,"sku":"AXS-GIZ-SHP3S-P-700x1000-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sharp-3S-print.jpg?v=1767884368"},{"product_id":"sony-watchman-fd-20-gizmo","title":"Sony Watchman FD-20","description":"\u003cp\u003eIn 1982, a television was still a piece of furniture. Then Sony introduced the Watchman, and suddenly you could watch the news on your commute.\u003c\/p\u003e\n\u003cp\u003eThe FD-20 was part of the second generation of Watchman models, released around 1983-84, refining the revolutionary concept Sony had introduced with the original FD-210. Its two-inch black and white screen seems impossibly small by modern standards, but getting any picture at all into something this slim required extraordinary engineering. The secret was Sony's flat CRT - a cathode ray tube with the electron gun mounted at 90 degrees to the screen, firing sideways across a curved phosphor surface. This rotated architecture was the only way to make a CRT thin enough to fit in your pocket.\u003c\/p\u003e\n\u003cp\u003eThe name was a portmanteau - \"Watch\" from watching television, \"man\" from the Walkman that had transformed portable audio three years earlier. Sony was betting they could do for television what they'd done for music. The Watchman line would run for almost two decades, spawning over 65 models before LCD technology and digital broadcasting finally made the concept obsolete. But in the mid-1980s, pulling this silver rectangle from your jacket and tuning into live television felt like science fiction made real.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864088436897,"sku":"AXS-GIZ-SONFD20-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864088469665,"sku":"AXS-GIZ-SONFD20-P-700x1000-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sony-Watchman-print.jpg?v=1767884650"},{"product_id":"sony-icf-sw1-radio-gizmo","title":"Sony ICF-SW1 radio","description":"\u003cp\u003eIn 1988, if you wanted to know what was really happening in the world, you listened to shortwave. The BBC World Service, Voice of America, Radio Moscow, Deutsche Welle - these broadcasts cut through propaganda and censorship, reaching listeners behind the Iron Curtain, in remote villages, anywhere a radio could pick up a signal bouncing off the ionosphere. Sony made a receiver that could tune them all in, and fit in your shirt pocket.\u003c\/p\u003e\n\u003cp\u003eThe ICF-SW1 measured just 120 x 71 x 23mm - about the size of a cigarette packet - yet covered everything from long wave through medium wave to the entire shortwave spectrum up to 30 MHz, plus FM stereo through headphones. A microprocessor-controlled frequency synthesiser let you punch in the exact frequency you wanted via a numerical keypad, then store ten favourites in memory. The LCD showed your precise position on the dial, anywhere from 150 kHz to nearly 30 MHz.\u003c\/p\u003e\n\u003cp\u003eThis was a tool for the informed traveller, the foreign correspondent, the business executive who needed to know what governments weren't saying. In hotel rooms from Tokyo to São Paulo, the ICF-SW1 could pull in broadcasts that local media wouldn't touch. Sony marketed it as the complete system - receiver, active antenna, mains adapter, all nested in a compact carrying case. The whole world, packaged for your briefcase.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088371361,"sku":"AXS-GIZ-SONICF-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088404129,"sku":"AXS-GIZ-SONICF-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sony-ICFSW1-print.jpg?v=1767884796"},{"product_id":"sony-kv-1310-gizmo","title":"Sony KV-1310","description":"\u003cp\u003eOn 15 April 1968, Sony held a press conference in Tokyo to announce a new type of television. The research team had just finished hand-building ten prototypes. They were shocked to hear Sony's co-founder Masaru Ibuka promise full production in six months. By October, the KV-1310 was in stores. It would change the television industry forever.\u003c\/p\u003e\n\u003cp\u003eThe Trinitron was Sony's answer to a problem that had plagued colour television since its invention: the shadow mask. Conventional colour tubes used a metal plate with hundreds of thousands of tiny holes to direct electron beams to the correct phosphor dots. It worked, but it blocked most of the electrons, producing dim pictures. Sony's engineers developed the aperture grille - a screen of fine vertical wires that let far more electrons through, creating images that were noticeably brighter and sharper than anything else on the market.\u003c\/p\u003e\n\u003cp\u003eThe name combined \"trinity\" (for the three colours united in a single electron gun) with \"tron\" from electron tube. The technology was so significant that the Academy of Television Arts and Sciences awarded Sony a technical Emmy in 1973 - the first ever given to a consumer electronics company. Over the following four decades, Sony would sell 280 million Trinitrons worldwide. The KV-1310 now sits in the Smithsonian's National Museum of American History, recognised as one of the foundational products that established Japan as a world-class source of advanced electronics.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088305825,"sku":"AXS-GIZ-SONKV1310-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088338593,"sku":"AXS-GIZ-SONKV1310-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sony-KV1310-print.jpg?v=1767885106"},{"product_id":"sony-playstation-1-gizmo","title":"Sony PlayStation 1","description":"\u003cp\u003eIn June 1991, Sony announced a partnership with Nintendo to build a CD-ROM add-on for the Super Nintendo. The next day, Nintendo publicly abandoned the deal. Sony's president Norio Ohga was furious. He turned to engineer Ken Kutaragi and said: \"Just do it.\" Three years later, on 3 December 1994, the PlayStation went on sale in Japan. Nothing in gaming would ever be the same.\u003c\/p\u003e\n\u003cp\u003eKutaragi had been watching his daughter play a Nintendo Famicom when he first saw the potential of video games. He'd secretly designed the sound chip for the Super Nintendo, nearly getting fired when Sony's executives discovered he'd been collaborating with their rival. But Kutaragi had a vision: a console built around CD-ROM technology, capable of 3D graphics that would make cartridge-based systems look primitive. When Nintendo's betrayal gave him the chance, he built it.\u003c\/p\u003e\n\u003cp\u003eThe grey box with its distinctive logo - an interlocking P and S - arrived as an outsider challenging two established giants. Within a decade, it had sold 102 million units, becoming the first console ever to break 100 million. Final Fantasy VII. Metal Gear Solid. Resident Evil. Tekken. Gran Turismo. The PlayStation didn't just win a console war; it transformed gaming from a children's toy into mainstream adult entertainment. TIME magazine named Kutaragi one of the 100 most influential people of 2004, calling him \"the Gutenberg of video games.\"\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088240289,"sku":"AXS-GIZ-SONPS1-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088273057,"sku":"AXS-GIZ-SONPS1-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sony-Playstation1-print.jpg?v=1767885321"},{"product_id":"sony-sports-cfs-902-gizmo","title":"Sony Sports CFS-902","description":"\u003cp\u003eBy the mid-1980s, Sony had a problem. The Walkman was everywhere - but runners were complaining that all that jogging made their tapes sound wobbly, and a splash of sweat could kill the electronics. The solution arrived in 1983 with the Sports Walkman WM-F5: impact-resistant plastic, rubber seals around every opening, and a colour scheme borrowed from underwater diving equipment. That unmistakable banana yellow became the uniform of the fitness generation.\u003c\/p\u003e\n\u003cp\u003eThe CFS-902 brought the same philosophy to the boombox. Where its grey and silver siblings were designed for bedrooms and living rooms, this was built for beaches, poolsides, and backyard barbecues. The sealed buttons, gasketed cassette door, and splash-resistant construction meant sand and spray wouldn't end the party. The yellow casing wasn't just a design statement - it was a promise of durability.\u003c\/p\u003e\n\u003cp\u003eThe Sony Sports line arrived at the perfect moment. The aerobics boom was transforming how people exercised, and suddenly everyone wanted a soundtrack for their outdoor lives. Julia Roberts would later make the yellow Sports Walkman famous in \u003cem\u003ePretty Woman\u003c\/em\u003e, but by then millions of units had already found their way to beaches around the world. The CFS-902 was the boombox for people who wanted to share that music with everyone else on the sand.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088174753,"sku":"AXS-GIZ-SON902-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088207521,"sku":"AXS-GIZ-SON902-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Sony-Sports902-print.jpg?v=1767885496"},{"product_id":"lasonic-trc-931-gizmo","title":"Lasonic TRC-931","description":"\u003cp\u003eIn the boombox hierarchy of the mid-1980s, the Lasonic TRC-931 occupied a peculiar throne. It wasn't the best-sounding - the Sharp GF-777 and JVC M90 could blow it away. It wasn't the most expensive - at around $100 in 1986, it was firmly affordable. But for sheer visual swagger, nothing came close. The chrome speaker grilles. The twin telescoping antennas. The rainbow of LED VU meters dancing with the beat. The TRC-931 looked like what a boombox was supposed to look like.\u003c\/p\u003e\n\u003cp\u003eProduced in Taiwan by Yung Fu Electrical Appliances from 1985, this was the ghetto blaster as street theatre. Twin cassette decks for seamless mixtape playback. A five-band equaliser. A \"beat switch\" for that extra punch. Phono inputs so you could connect a turntable. Every surface packed with knobs, sliders, and buttons - form following function following attitude. When breakdancers set up their cardboard on the sidewalk, this was the machine providing the soundtrack.\u003c\/p\u003e\n\u003cp\u003eThe TRC-931 became the definitive boombox silhouette in popular culture. It appears in \u003cem\u003eClerks II\u003c\/em\u003e, in Korn's \"Got the Life\" video, in The Lonely Island's \"Boombox\", in Cher Lloyd's \"Swagger Jagger\". Mint examples now sell for $400-800 to collectors. Fashion designer Paul Smith redesigned a modern version in 2011. Among boombox enthusiasts, it's simply known as \"The King of Bling\" - proof that sometimes the most iconic design isn't the most sophisticated, just the most unapologetically itself.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864088109217,"sku":"AXS-GIZ-LAS931-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864088141985,"sku":"AXS-GIZ-LAS931-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Lasonic931-print.jpg?v=1767885880"},{"product_id":"casio-g-shock-dw5000c-gizmo","title":"Casio G-Shock DW5000C","description":"\u003cp\u003eThe Casio G-Shock DW5000C, released in 1983, is the watch that refused to break. Engineer Kikuo Ibe spent three years and over 200 prototypes trying to build a watch that could survive a fall from a third-floor window. The solution was elegant - a hollow suspension structure that cushioned the module inside the case, isolating it from shock. Simple idea. Extremely difficult to execute.\u003c\/p\u003e\n\u003cp\u003eThe DW5000C didn't look like other watches. Its squared-off resin case and flat digital display had a blunt, utilitarian honesty that owed more to military hardware than to jewellery. It was water-resistant to 200 metres, had a stopwatch and an alarm, and could take virtually any punishment its wearer could find. Within a few years, the G-Shock had become a cultural object - adopted by skaters, hip-hop artists, surfers, and anyone who valued durability over decoration.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864086012065,"sku":"AXS-GIZ-GSK-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864086044833,"sku":"AXS-GIZ-GSK-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-CasioGShock-mockup-1.jpg?v=1770906890"},{"product_id":"sony-walkman-wm-22-gizmo","title":"Sony Walkman WM-22","description":"\u003cp\u003eSony's original Walkman changed how people listened to music. The WM-22, released in 1984, refined the idea to near-perfection - smaller, lighter, and more affordable than its predecessors. It was the model that took portable music from luxury to everyday essential, outselling everything that came before it.\u003c\/p\u003e\u003cp\u003eThis Gizmo print captures the WM-22's elegant simplicity - the compact cassette window, the minimal controls, the clip designed to attach it to your belt. A device that made private listening a universal experience.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864085946529,"sku":"AXS-GIZ-WLK-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864085979297,"sku":"AXS-GIZ-WLK-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-SonyWalkmanWM22_mockup-1.jpg?v=1771858337"},{"product_id":"jvc-rc-m90-gizmo","title":"JVC M90","description":"\u003cp\u003eThe JVC RC-M90, released in 1981, is arguably the finest boombox ever made. Four speakers, a built-in mixer, detachable satellite tweeters, and a sound that justified its considerable weight. It became a fixture of early hip-hop culture and remains one of the most sought-after portable stereos ever produced.\u003c\/p\u003e\u003cp\u003eThis Gizmo print captures the M90's imposing front face - the symmetrical speaker grilles, the central cassette deck, the array of sliders and dials that gave it the look of a professional mixing desk shrunk to portable size. 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It couldn't do much by modern standards, but to the children of the 1980s it was the closest thing to having your own R2-D2.\u003c\/p\u003e\u003cp\u003eThis Gizmo print captures the Omnibot's distinctive silhouette - the domed head, the chest-mounted cassette deck, the arms designed for carrying rather than grasping. 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Bill Hewlett told them to build one anyway. The HP-35 was the result - the world's first pocket scientific calculator, and the device that made the slide rule obsolete overnight.\u003c\/p\u003e\n\u003cp\u003eIt cost $395. Scientists and engineers bought it anyway. NASA used it. Pilots used it. It did in your pocket what had previously required a desktop machine the size of a typewriter. HP sold 300,000 in three years when they'd projected 10,000.\u003c\/p\u003e\n\u003cp\u003eThis Gizmo art print captures the HP-35 in precise technical illustration - the distinctive tall profile, the red LED display, the carefully organised rows of functions that turned a pocket-sized device into a serious scientific instrument.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864085225633,"sku":"AXS-GIZ-HP35-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864085258401,"sku":"AXS-GIZ-HP35-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-HewlettPackard-HP35-mockup-1.jpg?v=1773752439"},{"product_id":"casio-c80-calculator-watch-gizmo","title":"Casio C80 calculator watch","description":"\u003cp\u003eBy 1981, Casio had already miniaturised the calculator. The C-80 asked what happened if you strapped one to your wrist. The answer was simultaneously absurd and completely serious - a fully functional calculator worn as a watch, with keys small enough to require a stylus and an ambition that didn't care whether you looked slightly odd using it.\u003c\/p\u003e\n\u003cp\u003eThe calculator watch was the wearable technology of its day. No Bluetooth, no app, no subscription. Just arithmetic, on your wrist, whenever you needed it. 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The Space Invader was a tabletop LED game that did something remarkable for its time - it actually felt like Space Invaders. Not a rough approximation, not a compromise. The cascading rows of LED aliens, the joystick, the satisfying clatter of the keys. Close enough to the real thing to matter.\u003c\/p\u003e\n\u003cp\u003eHandheld and tabletop games of this era have a particular quality: they solved an impossible problem with the technology available and made it feel like enough. The Entex Space Invader was one of the best of them - a device that understood exactly what it was trying to do and did it with conviction.\u003c\/p\u003e\n\u003cp\u003eThis Gizmo art print captures the Space Invader in precise technical illustration - the distinctive red and black casing, the joystick, the LED grid that stood in for a universe of descending aliens.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864084930721,"sku":"AXS-GIZ-ENSI-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864084963489,"sku":"AXS-GIZ-ENSI-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Entex-SpaceInvader-mockup-1.jpg?v=1773752880"},{"product_id":"shinsei-blastergame-gizmo","title":"Shinsei Blastergame","description":"\u003cspan\u003e\u003c\/span\u003e\n\u003csvg aria-hidden=\"true\" fill=\"currentColor\" height=\"16\" viewbox=\"0 0 20 20\" width=\"16\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cpath d=\"M14.128 7.16482C14.3126 6.95983 14.6298 6.94336 14.835 7.12771C15.0402 7.31242 15.0567 7.62952 14.8721 7.83477L10.372 12.835L10.2939 12.9053C10.2093 12.9667 10.1063 13 9.99995 13C9.85833 12.9999 9.72264 12.9402 9.62788 12.835L5.12778 7.83477L5.0682 7.75273C4.95072 7.55225 4.98544 7.28926 5.16489 7.12771C5.34445 6.96617 5.60969 6.95939 5.79674 7.09744L5.87193 7.16482L9.99995 11.7519L14.128 7.16482Z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eNot every piece of electronic history made it into the Western market. The Shinsei Blastergame, released in 1980, was one of the Japanese tabletop games that stayed largely unknown outside its home country - which is precisely why it's interesting now. A desktop LED shooter from a company that collectors rate highly but most people have never heard of.\u003c\/p\u003e\n\u003cp\u003eShinsei built good games. The Blastergame has the purposeful design of something made by people who cared about the object as well as the electronics inside it - the controls, the casing, the satisfying logic of an LED grid that turned a few lit dots into incoming enemies.\u003c\/p\u003e\n\u003cp\u003eThis Gizmo art print captures the Blastergame in precise technical illustration - a small piece of Japanese electronic history that deserves to be seen.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864084734113,"sku":"AXS-GIZ-SSBG-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864084766881,"sku":"AXS-GIZ-SSBG-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Shinsei-Blastergame-mockup-1.jpg?v=1773753096"},{"product_id":"apple-ii-computer-gizmo","title":"Apple II computer","description":"\u003cp\u003eThe Apple II arrived in 1977, four years before IBM decided personal computers were worth bothering with. Steve Wozniak designed it in a way that still impresses engineers today - a machine so elegantly architected that it did far more than its specifications suggested it should. Steve Jobs made sure it looked like something you'd want on your desk.\u003c\/p\u003e\n\u003cp\u003eIt was the first computer many people ever touched. VisiCalc, the world's first spreadsheet, ran on it - and practically invented the business case for personal computing by itself. Schools bought it in enormous numbers. A generation learned to type, to program, to think differently about what machines could do, on an Apple II.\u003c\/p\u003e\n\u003cp\u003eThis Gizmo print captures the Apple II in precise technical illustration - the clean cream casing, the distinctive keyboard, the machine that turned computing from a hobbyist pursuit into something that could change your life.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864084668577,"sku":"AXS-GIZ-APP2-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864084701345,"sku":"AXS-GIZ-APP2-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-Apple2-mockup-1.jpg?v=1773838486"},{"product_id":"apple-macintosh-128k-computer-gizmo","title":"Apple Macintosh 128K computer","description":"\u003cp\u003eOn January 22, 1984, Apple aired a sixty-second television commercial during the Super Bowl. 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Windows, icons, a pointer you moved with your hand - ideas that are now so fundamental they've become invisible.\u003c\/p\u003e\n\u003cp\u003eThis Gizmo print captures the original Macintosh 128K in precise technical illustration - the compact all-in-one form, the built-in screen, the single floppy drive, the machine that changed the way humans and computers talk to each other.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864084603041,"sku":"AXS-GIZ-APP128K-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864084635809,"sku":"AXS-GIZ-APP128K-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-AppleMacintosh128K-mockup-1.jpg?v=1774015160"},{"product_id":"atari-st-computer-gizmo","title":"Atari ST computer","description":"\u003cp\u003eIn 1985, Jack Tramiel had just left Commodore, bought Atari, and wanted to win. The Atari ST arrived that year with a price and specification that made the rest of the market look complacent - a 16-bit processor, a colour display, and a graphical interface straight out of the box for less than anyone thought possible.\u003c\/p\u003e\n\u003cp\u003eMusicians noticed first. The ST had built-in MIDI ports at a time when adding MIDI to any other computer required an interface card and a prayer. Recording studios and bedroom producers bought them in large numbers. A generation of electronic music was made on Atari STs, and some professionals kept them running long after faster machines were available simply because nothing handled MIDI timing as reliably.\u003c\/p\u003e\n\u003cp\u003eThis Gizmo print captures the Atari ST in precise technical illustration - the broad low-profile case, the function keys, the machine that dominated European computing through the late eighties and quietly underpinned a revolution in music production.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (70 × 50 cm | 28 × 20 in)","offer_id":45864084537505,"sku":"AXS-GIZ-ATAST-L-700x500-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (100 × 70 cm | 40 × 28 in)","offer_id":45864084570273,"sku":"AXS-GIZ-ATAST-L-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-AtariST_mockup-1.jpg?v=1773838825"},{"product_id":"seiko-a239-world-time-watch-gizmo","title":"Seiko A239 World Time watch","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn 1979, Seiko asked a question nobody had quite answered yet: what if a watch could show you the time anywhere in the world, not as a number you had to calculate, but as a map you could simply read?\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe A239 World Time used two separate LCD modules to do it - one for the time, one for a world map with 19 selectable time zones, each highlighted as a glowing segment on the dial. You didn't need to do mental arithmetic about Tokyo or New York. You just looked at the map. For a watch produced at the turn of the 1980s, it was a genuinely elegant solution to a real problem.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe gold-tone version - brown dial frame, red map LCD - is the most visually striking of the A239 variants, and the one illustrated here. Small by the standards of modern watches at just 33mm, it has the purposeful density of a device designed to do something specific and do it well.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis print from the Gizmo collection captures the Seiko A239 in precise technical illustration - one of the more ingenious pieces of wrist-worn technology from an era when Japanese watchmakers were quietly reinventing what a watch could be.\u003c\/p\u003e","brand":"Axisophy","offers":[{"title":"Large (50 × 70 cm | 20 × 28 in)","offer_id":45864084471969,"sku":"AXS-GIZ-SEIKWT-P-500x700-AM-COL","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"XLarge (70 × 100 cm | 28 × 40 in)","offer_id":45864084504737,"sku":"AXS-GIZ-SEIKWT-P-1000x700-AM-COL","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/files\/Axisophy-SeikoA239WorldTime-mockup-1.jpg?v=1773839085"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0483\/1546\/5889\/collections\/Axisophy-IBM-5150-print.jpg?v=1771503336","url":"https:\/\/axisophy.com\/collections\/vintage-technology-prints.oembed?page=3","provider":"Axisophy","version":"1.0","type":"link"}